Who's Your Hero?

Oh, you do have a way of making me blush when I least expect it. Shame on you. I'm just a person though, with troubles like anyone else and a child that looks to me to get him through the day. I do what anyone would do in my shoes, the next right thing.

Shame on me? Nope. I speak the truth. LOL.

Madonna raves on as tour begins By Ian Youngs Entertainment reporter, BBC News, Cardiff Madonna has begun her new world tour in Cardiff, proving to fans that she can still cut it on stage at the age of 50. In a typically energetic performance, the pop superstar played two hours of hits from her 25-year career. It featured radically reworked versions of some of her old favourites, such as a techno remix of Like A Prayer and a rock take on Borderline. "She gets better with age," said Lewis Aldous, 23, from Brentwood, Essex. He said Madonna looked "incredible", adding: "She looks like she's in her 30s. This is the most fast-paced tour of recent times, especially Like A Prayer." Maria Paradisis, 32, who travelled from Sydney, Australia, for the show, said Madonna's dancing was "mesmerising". Please turn on JavaScript. Media requires JavaScript to play. Excerpts of Madonna's performance and fans' reaction "She can still shake it like she's a 20-year-old," she said. 'Disappointed' But some fans at the Millennium Stadium were not so happy with her latest reinvention. "She didn't do any of the traditional stuff that everyone loves her for," said Susan Harvey from Cardiff. "For £85 a ticket, I was really disappointed." Danielle Wheeler, 26, said she was "not as good as Kylie", while Stephanie Olokopa, 20, from London, gave the show six out of 10. "She was late and she didn't even thank the people," she said. The show was first of 51 dates for the pop superstar, who celebrated her birthday a week ago. It involved 250 crew, 16 dancers, eight costume changes and £1m of jewellery. The concert was split into four sections - Pimp, Old School, Gypsy and Rave. Madonna appeared on a jewel-encrusted black leather throne with the letter M written on its back. Opening with Candy Store, the first track of her latest album Hard Candy, the Pimp section was characterised by revealing and risque black outfits for Madonna and her troupe. When a classic white convertible rolled on, it took Madonna and her dancers out into the crowd, with Madonna donning the driver's white top hat before pushing the car back. Old School The intricately planned visual spectacle was as potent as the music, and Madonna is the master at using colour, costume and choreography to full effect. She was raised on podium for Vogue with four female dancers wearing long black gloves and boots and very little else. After that, it was into the Old School segment - intended to evoke her 1980s New York roots - with Madonna appearing in red shorts, pop socks and a skipping rope, surrounded by the kids from Fame. Into the Groove was the first of her '80s hits to be updated, backed by heavy bass and trance piano. She then picked up a guitar for Borderline, backed by a more conventional rock band set-up. The star donned heart-shaped sunglasses for She's Not Me, from her latest album, with her old videos flashing up behind her. When four dancers appeared as Madonna at various stages of her career, the singer went on to abuse them before indulging in some very frenetic, angry dancing. Gypsy theme With her long, wavy blonde hair, fit physique and endless stamina, she doesn't look too dissimilar to the Madonna of a couple of decades ago. She certainly doesn't look ready for a Saga subscription. The Gypsy segment began with Madonna in a black cloak writhing on top of a black piano, before her dancers donned hooded robes for Spanish Lesson. They then ripped off the cloaks to reveal shiny, gaudy shirts and indulge in some flamenco-style dancing. Not everything quite made sense - but it looked quite good, and that, you suspect, is what matters to Madonna. With her dazzling friends, she went on to play a Europop version of La Isla Bonita, complete with big, bearded violinist in a sequined shirt. The final section was Rave, which started with a pair of sparkly American football shoulder pads for her recent hit 4 Minutes. It then turned into a full-on rave as the queen of pop played thumping techno versions of Like A Prayer and Ray Of Light. During Like A Prayer, screens behind her flashed the names of sacred figures from various religions and quotes from holy texts. Heavy beats Most of the crowd seemed to lap up the pumped-up dance remixes. But as she strummed guitar in a skin-tight silver top, surrounded by futuristic creatures during Ray of Light, lasers firing over her head, it was tempting to think that maybe she should calm down just a bit. The entire night had the feel of a giant nightclub - and that is something that some purists didn't like. But heavy beats made the more mediocre new songs more passable, and the momentum was maintained by non-stop music even when she was off stage. With wailing thrash metal guitars at end of Hung Up, Madonna posed, hand on hip, seemingly satisfied with her night's work. Now she's hit 50, she seems even more determined to prove that she doesn't stand still, and she certainly doesn't slow down.

I think you've chosen some interesting heros. I agree with you regarding Princess Diana and her taking on the royal family. Johnny Hallyday, yes, Madonna, yes, but I am not familiar with the race car drivers of whom you speak. Nice to hear from you Aussie as always.

Being from China, I think its wonderful that you gave that answer. My aunt was just telling me that they asked several people who the first president was and the only American they asked, didn't know. Isn't that a shame?

My hero is Bill Gates! I hope one day I will be as rich as him though it is hard anyway/

Annie my dear friend - YOU are a hero to me. I have watched you grow into the wonderful person you are and if I had a small part in that growth, I'm glad, but the credit goes to you for making the choices you did and carrying them through - yes, much like your Gran and what a wonderful inspiration she is. Hugs.

I forgot one very important person. My Gramma. She turns 90 this December. I have always admired her, becuase my Grampa didn't come home from the war. She raised all 3 children on her own, working at Eatons, paying off a mortgage, never done anything illegal or immoral either. She also had a boyfriend, that was a boarder for awhile, but when she kicked him out, her daughter became my aunt. She raised her, too, as he didn't have a ready place to bring her with him when he moved out, and she and my Mom wanted her to stay, so she did. To raise all 3 of her own children, and then take in another, too and raise 4 all alone, that is a feat! I feel that I have always identified with her mostly in the family. She is a doer. Gets things done. I am like that, too. Always on the go, me too. She was always busy and that was a good role model, too. Whenever I had an argument with my Mom, I would walk to Gramma's house in the next town. It was a 4 hr walk, but I didn't seem to mind. My Mom did when she would come home frantic not knowing where I was though. So Gramma would routinely call Mom and let her know that I had arrived again.

I think its a wonderful that people admire their mothers the way that they do. I wish I could say the same about mine, but unfortunately I can't.