CS3? what new....

Hi, yes I am Adobe Photoshop CS3. I dont think its a new plugin, but I bought its recently and its really good: Digital Film Tools 55mm filters. Here are some of the filters and its description:Filter Descriptions 55mm is the definitive set of digital optical filters meant to simulate popular glass camera filters, specialized lenses, optical lab processes, film grain, exacting color correction as well as natural light and photographic effects--all in a controlled digital environment with either 8 or 16 bits per channel processing. The set of plug-ins includes: Black & White, Black Mist, Bleach Bypass, Blur, Center Spot, Chromatic Aberration, Color Compensating, Color Conversion, Color Correct, Color Grad, Color Infrared, Color Spot, Cool Mist, Cross Processing, Day for Night, Defog, Defringe, Depth of Field, Diffusion, Double Fog, Dual Grad, Edge Glow, Enhancing, Faux Film, Flashing, Fluorescent, Fog, F-Stop, GamColor Gels, Gels, Glow, Gold Reflector, Grain, Halo, Infrared, Kelvin, Lens Distortion, Light, Light Balancing, Low Contrast, Mist, Mono Tint, ND Grad, Night Vision, Old Photo, Overexpose, Ozone, Pencil, Photographic Filters, Polarizer, Printer Points, Rack Focus, Radial Exposure, ReLight, Rosco Gels, Selective Color Correct, Selective Saturation, Silver Reflector, Skin Smoother, Soft Effects, Split Field, Split Tone, Star, Streaks, Strip Grad, Sunset/Twilight, Telecine, Temperature, Three Strip, Tint, Two Strip, Ultra Contrast, Vari-Star, Vignette, Warm Black Mist, Warm Mist, Warm Soft Effects and X-Ray. Black Mist The Black Mist filter creates atmosphere by reducing contrast, but with minimal glow around highlights. Black and White Black and White converts color images to black and white simulating the look of Black and White photographic filters. Blur It’s fast, high quality and blurs outside the frame which removes the dark inward bleeding edges of most blurs. Horizontal, vertical or both, Blur uses either Gaussian or Box quality settings. Bleach Bypass Bleach Bypass is a film laboratory technique where, by skipping the bleach stage in the color processing sequence, silver is retained in the image along with the color dyes. The result is effectively a black and white image superimposed on a color image. Bleach Bypass images have increased contrast, reduced saturation, often giving a pastel effect. Center Spot Diffuses and blurs distracting backgrounds while keeping a center spot in focus. The center spot can be moved, sized and the amount of blur can be controlled. Chromatic Aberration Chromatic aberration is caused by a lens having a different refractive index for different wavelengths of light and is seen as fringes of color around the edges of the image. This fringing is removed by un-distorting the individual color channels. Color Compensating Color Compensating filters control color by attenuating specific parts of the spectrum. They can be used to make changes in color balance or compensate for deficiencies in the image’s spectral quality. Color Conversion Color Conversion filters correct for significant differences in color temperature between your light source and recording media. Color Correct Color Correct manipulates red, green and blue values of the overall image and separately in user definable shadow, midtone and highlight areas. Hue, saturation, brightness, contrast and gamma controls allow for further control. Color Grad Color Grad colors and or darkens only a portion of the image giving you the ability to simulate any Color Grad or ND (Neutral Density) Grad filter. Presets for your favorite color grad filters are provided as well as the ability to create custom colors. There is a graduated transition for a smooth color blend between the colored/darkened portion and the original image. Color Grad is especially good for changing and enhancing the color of the sky. Color Infrared Color Infrared simulates infrared filters used in conjunction with infrared sensitive film or sensors to produce very interesting false-color images with a dreamlike or sometimes lurid appearance. Color Spot Tints the image using presets for common photographic filters except for a center spot which retains normal color. The center spot can be moved, sized and the amount of blur can be controlled. Cool Mist The Cool Mist filter creates atmosphere by reducing contrast and glowing highlights in combination with a cooling filter. Cross Processing Cross-processing is a photographic technique where print film (C41) is processed in the set of chemicals usually used to process slide film (E6) or vice versa. The final result yields images with oddly skewed colors and increased contrast and saturation. Different film stocks produce different results, so we have created what we feel is a representative look. Day for Night Day for Night simulates a technique used for shooting exteriors in daylight made to look like they were photographed at night. Typically, it involves underexposing by two to two-and-a-half stops and using a filter to provide a tint, that is often a lavender-blue, as it mimics twilight and appears to emulate the mood of moonlight. Defog Using advanced deweathering algorithms, Defog restores clear day contrasts and colors of a scene taken in bad weather such as fog and mist. It is also successful in removing the effects of optical Fog and Diffusion filters. Defringe Purple or blue fringing around overexposed areas is a result of sensor overloading in video as well as digital still cameras. Defringe isolates and removes the various types of color fringing. Depth of Field Depth of Field can be added to a scene by isolating and blurring only a portion of the image. The amount of blurring is directly proportionate to the luminance of the selection settings, a gradient or an input clip. Diffusion Diffusion creates atmosphere by reducing contrast while creating a glow around highlights or shadows. It simulates diffusion and fog filters as well as glows. In addition, a pre-built texture library allows you to add realistic diffusion to scenes as if you were adding diffusion directly to your camera lens. Double Fog The Double Fog filter creates a soft, misty atmosphere over the image by first applying fog using a vanishing point along the direction of increasing distance in the image. Then, a second pass blooms image highlights. Dual Grad Dual Grad applies two photographic filters to the image which are blended together with a gradient. Edge Glow Edge Glow isolates lines and edges in an image and then adds glow only to these areas resulting in a stylized look. Enhancing The saturation of either the red, green or blue areas of the image are isolated and enhanced with minimal effect on other colors. This filter is frequently used to enhance fall foliage, but is also ideal for blue sky and green grass. Faux Film The Faux Film filter gives video and digital images the look of photographic film. It reduces contrast, creates a soft mist around highlights and adds film grain. Flashing Flashing allows you to use photographic filters to lower the contrast of your shadows or highlights. The motion picture lab can expose a small amount of light to the film at various stages of the developing and printing process. For example, Negative plus Dupe Negative flashing lifts blacks, while Print plus Master Positive flashing softens whites. Fluorescent The Fluorescent filter removes the greenish tone caused by photographing under fluorescent lights. Fog The Fog filter creates a soft, misty atmosphere over the image and glows highlights. F-Stop F-Stop manipulates red, green and blue values of the overall image and separately in user definable shadow, midtone and highlight areas using F-Stops as the unit of measure. In camera terminology, F-Stops measure the size of the lens opening, otherwise known as aperture. Each F-Stop is twice as bright as the next and is calculated using a logarithmic scale. GamColor, CineFilters, Naked Cosmetics Photographers, cinematographers and lighting designers use colored filters or gels in front of lights. Whether they want to create a romantic moonlit setting or a vicious, angry fight, they have the colors they need to achieve the effect. We have created digital equivalents of the lighting gels created by GAMPRODUCTS, INC. and these same exact colors can be applied to the entire image or inside a gradient. These three GAM filters contain digital gels from the GamColor, CineFilters and Naked Cosmetics collections. For detailed information about GAM Gels, you can visit their website at www.gamonline.com Gels Photographers, cinematographers and lighting designers use colored filters or gels in front of lights. Whether they want to create a romantic moonlit setting or a vicious, angry fight, they have the colors they need to achieve the effect. We have created digital equivalents of these lighting gels and these same exact colors can be applied to the entire image or inside a gradient. Glow The Glow filter creates glows around selected areas of the image. Gold Reflector One of the oldest and still most popular means of lighting an exterior set is by taking a reflective surface and redirecting sunlight or artificial light exactly where it is needed. Unfortunately, it is nearly impossible for actors to keep their eyes open when looking into a reflector resulting in a lot of squinting eyes. Our digital reflector allows you to add gold light into shadow areas without the squinting. Grain Grain simulates film grain with individual control of red, green, and blue grain size and intensity. In addition, a Film Response parameter controls where you will see grain in the image. Popular film stock presets are provided as a starting point to adding grain. Halo Halo causes dark areas to glow into bright areas and bright areas to glow into dark areas along with a bit of diffusion. Infrared Infrared simulates infrared filters used in conjuncti

I'm Using Photoshop CS3, Its way better than CS2 because it loads faster like Photoshop 7.