KARATE, KUNGFU,SHAOLIN

[edit] The Indian influence [edit] Establishment of the Shaolin temple under Batuo According to Chinese texts such as, Deng Feng County Recording (Deng Feng Xian Zhi), a Buddhist monk named Buddhabhadra (Chinese: ??; pinyin: Bátuó) went to China to preach Buddhism in 464 A.D. The Shaolin Temple was built thirty-one years later in 495 A.D., by the order of emperor Wei Xiao Wen (471-500 A.D.).[6] The temple originally consisted of a round dome used as a shrine and a platform where Indian and Chinese monks translated Indian Buddhist scriptures into native Chinese languages. [2] A painting on a wall in the temple showing lighter skinned Chinese monks and darker skinned monksBuddhabhadra, an Indian dhyana master, was the founding abbot of Shaolin Monastery and the teacher to the monks there, including Sengchou and Huiguang.[7] Monastery records state Sengchou and Huiguang, both expert in the martial arts, were two of Shaolin's first monks.[8] The Taisho Tripi?aka documents Sengchou's skill with the tin staff. [edit] Bodhidharma Bodhidharma, a Buddhist monk, arrived in China during the 5th century. He stayed and taught for several years in the Shaolin temple. Excerpts from author Simmone Kuo's Long Life Good Health Through Tai-Chi Chuan, [3] summing up his contributions are mentioned below :- Finding that the sedentary life often left the monks weak both in body and mind,Ta Mo decided to encourage physical discipline as well as meditation. He taught streching exercises from the Indian tradition of Yoga with which he was familiar. On their part, the Chinese monks were reminded of the native fighting techniques from their youth. A group of eighteen particulary dedicated monks then developed and refined a system of streching exercises and movements of what is now the core of Shao-lin Chuan, the source for all subsequent martial arts, including Tai Chi Chuan. The Chinese revere the eighteen monks to this day and venerate them as Lohans. This view is endorsed in many forms by the martial arts community and the Shaolin temple authorities alike. Grandmaster Wong Kiew Kit, 4th generation successor of the Southern Shaolin Monastery writes [4]:- It was during this time that the Venerable Bodhidharma came from India to China to spread Buddhism. In 527 CE he settled down in the Shaolin monastary in Henan province, and inspired the development of Shaolin Kung Fu. This marked a watershed in the history of of Kung Fu, because it led to a change of course, as Kung Fu became institutionalized. Before this, martial arts were known only in general sense. It was only after the inception of Shaolin Kung Fu that names were used to label various schools like Taijiquan, Bagua, Wing Choon, Eagle Claw, Praying Mantion and so on. Indeed, Kung Fu, as we understand today, started from the Shaolin. Chinese martial arts, like martial arts of Greece and India, have existed before the arrival of Bodhidharma. Bodhidharma's status in martial arts is due to his role in the institutionalization of Chinese martial arts, presumably by introducing excercises, meditation, discipline, newer techniques etc. to the native fighting methods during his tenure at the Shaolin monastary. [5] It has also been suggested that these techniques which are the foundation for many martial arts today were never originally intended to be utilized as methods of fighting but were a manner in which the monks could attain enlightenment while preserving their bodies' health. [6] The extensive development of these techniques by the Chinese monks over centuries led to modern day Shaolin Kung Fu. [edit] Visible signs of Indian presence at the Shaolin temple [edit] The Shaolin Temple mural The Shaolin Temple in China contains fresco murals with dark-skinned, not black, but similar in skin tone to Indians, monks teaching Chinese monks fighting forms. On the mural that survived three fires between 1644 to 1927, it says in Chinese script "Tenjiku Naranokaku" translating as "the fighting techniques to train the body which come from India ... Cited in support of the Indian progeniture of Shaolin kung fu is a fresco painted during the Qing Dynasty (1644–1912) depicting light-skinned and dark-skinned monks sparring, inscribed and translated in Japanese as "Tenjiku Naranokaku," which translates as "the fighting techniques to train the body which come from India..." [edit] Bodhidharma and Zen Bodhidharma by Tsukioka Yoshitoshi (1839-1892)Bodhidharma is associated with the idea that spiritual, intellectual and physical excellence are an indivisible whole necessary for enlightenment. Such an approach to enlightenment ultimately proved highly attractive to the Samurai class in Japan, who made Zen their way of life, following their encounter with the martial-arts-oriented Zen Rinzai School introduced to Japan by Eisai in the 12th century.

Indian influence on Chinese martial arts, or more specificly, Shaolin Kung Fu, is endorsed by both the traditional Shaolin temple claims and the claims of a majority of martial arts historians. Both versions agree that India was a vital influence on Shaolin temple's approach to institutionalized martial arts. [1][2] Both versions also have seen a measure of negationism from a small community of martial arts historians during the recent past. Main gate of the Shaolin temple in HenanBuddhabhadra, an Indian dhyana master, was the founding abbot of Shaolin Monastery and the teacher to the monks there, including Sengchou and Huiguang.[3] Monastery records state Sengchou and Huiguang, both expert in the martial arts, were two of Shaolin's first monks.[4] The Taisho Tripi?aka documents Sengchou's skill with the tin staff. This foreign influence acting as a catalyst, however, does not necessarily indicate the indroduction of martial arts to China from India. In an article by published in the New York Times Travel section in 1983, Christopher Wren asserts that organised martial traditions predate the establishment of the Shaolin Monastery by centuries